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Pancit canton, commodification, and intimacy
 • 
Aries C. Ferrer
Circular, rough, and red
What do we really communicate when we say something is of beauty? Is it merely to describe? But describe what? Shape, texture, color? How are circular…
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Aries C. Ferrer
How to love a stranger?
To love a stranger you have only known in the past 2 hours
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Aries C. Ferrer
Funerals and movie marathons
In the loving memories of friends and family, living or dead
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Aries C. Ferrer
Watching 'Inside Out' as a 22-year old sad boi
I value the movies that made me sad more than those that only made me happy, or scared, or stupid.
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Aries C. Ferrer
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What's for dinner?
 • Aries C. Ferrer
Yesterday, I went out to buy palanggana
 • Aries C. Ferrer
What is Pelikulang Pilipino?
 • Aries C. Ferrer
Defining the Filipino in 'Ganito Kami Noon, Paano Kayo Ngayon?'
 • Aries C. Ferrer
Messes
The Experimental Cinema of 'Meshes of the Afternoon'
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Aries C. Ferrer
Anything for that matter
Trashtalkan, basura, and movies
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Aries C. Ferrer
Ang melodramatic mo!
'Orapronobis' and Lino Brocka's Melodramatic Strategy
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Aries C. Ferrer
Yesterday, I went out to buy palanggana
Witnessing the Summer MMFF 2023 parade by chance
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Aries C. Ferrer
What's for dinner?
Cooking, writing, and the joy and aftertaste of 'Julie & Julia'
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Aries C. Ferrer
'Maid in Malacañang' at bakit lahat ng pelikula ay mahalaga
Ang nauukol na pagtuturing sa at panonood ng pelikula
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Aries C. Ferrer
It even has a watermark!
358 Exchange Place New York, N.Y. 10099 Fax 212 555 6390 Telex 10 4532
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Aries C. Ferrer
To Be At Home
A video essay on photography, the closure of an old movie theater, and puppies
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Aries C. Ferrer
Beetles, Toys, and Plastic Bags
Will you flip a beetle lying on its back? I watched last night a WIRED video featuring Willard Wiggan and his microscopic sculptures where he mentioned…
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Aries C. Ferrer
Fin
Fin
Musings about films, among other things.
© 2024 Aries C. Ferrer
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